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【回歸•重塑:布德爾與他的雕塑藝術】雕塑展將在清華藝博館舉行
作者: 清華大學藝術博物館 來源: 視覺同盟 時間: 2017年11月17日

展覽信息 EXHIBITION INFO

回歸•重塑:布德爾與他的雕塑藝術

展覽時間:2017年11月21日至2018年4月30日
展覽地點:清華大學藝術博物館一層展廳
展覽總策劃:馮遠  艾美麗•斯密耶
策展人:楊冬江  杰霍姆•戈度  克萊爾•巴比倫
項目統籌:王晨雅  王鵬  賽琳•馬尚  安奈伊斯•昆薩
展覽設計:管沄嘉  王晨雅  劉雅羲
視覺設計:王鵬
展覽執行:劉雅羲  張明  鐘子溦  王兆  孫藝瑋  楊暉  蘭鈺  許諾  讓-菲利普•曼扎諾  喬納森•阿斯圖爾  米連娜•布蘭切
主辦單位:清華大學藝術博物館
協辦單位:巴黎博物館聯盟  布德爾博物館

ANTIQUITY INTO FUTURE: BOURDELLE AND HIS SCULPTURES

Exhibition Period: 21 November 2017–30 April 2018
Exhibition Venue: 1st floor exhibition hall, TAM
Chief Curator: Feng Yuan  Amélie Simier
Project Manager: Yang Dongjiang  Jérôme Godeau  Claire Barbillon
Exhibition Coordinator: Wang Chenya  Wang Peng  Céline Marchand  Anaïs Quinsat
Exhibition Design: Guan Yunjia  Wang Chenya  Liu Yaxi
Visual Design: Wang Peng
Exhibition Team: Liu Yaxi  Zhang Ming  Zhong Ziwei  Wang Zhao  Sun Yiwei  Yang Hui  Lan Yu  Xu Nuo  Jean-Philippe Manzano  Jonathan Astoul  Miléna Planche
Host: Tsinghua University Art Museum
Co-organizer: Paris Musées  Musée Bourdelle

展覽簡介 EXHIBITION PROFILE

此次展覽聚焦法國著名雕塑家安托萬•布德爾19世紀末至20世紀初的杰作,重新審視布德爾回歸古希臘羅馬神話題材而創作的作品,當屬藝術家個人藝術風格日臻成熟完善時期的代表作,包括38件青銅雕塑作品,2件油畫作品,8件水彩作品,素描及珍貴歷史圖片等,所有展品均來自法國布德爾博物館的館藏。

展覽分為七個單元。第一單元“布德爾的創作之源”呈現了布德爾由學習到掌握雕塑技術期間用作參考和汲取靈感的考古文物;“帕拉斯(1887-1905)”“阿波羅(1898-1909)”“弓箭手赫拉克勒斯(1906-1909)”“果實(1902-1911)”,“珀涅羅珀(1905-1912)”及“香榭麗舍劇院與垂死的人馬(1910-1914)”六個主題單元集中展現了布德爾重塑古代經典人物及題材的獨特創作手法和理念,古希臘雕塑的傳統與現代藝術的理念在布德爾的作品中完美地融合于一體。

The exhibition focuses on the masterpieces of the famous French sculptor Antoine Bourdelle from the late 19th century to the early 20th century. It re-examines the works of Bourdelle’s return to ancient Greek and Roman mythology. All these works are the representatives of sculptor’s personal artistic maturity, including 38 pieces of bronze sculpture, 2 pieces of oil painting, 8 pieces of watercolor painting, some sketches and precious historical photos. All the works are from the collections of Musée Bourdelle, France.
The exhibition is divided into seven sections. The first section, "Bourdelle’s Intrumentarium" presents the archeological artifacts that Bourdelle used as a reference and inspiration during his study of mastering sculpture techniques; "Pallas (1887-1905)" "Apollo (1898-1909) ", "Hercules the Archer (1906-1909)", "the Fruit (1902-1911)", "Penelope (1905-1912) " and "Theatre des Champs-Elysees and the Centaur (1910-1914)” these six thematic sections exhibit the unique creative techniques and concepts that Bourdelle used to reshape the ancient classic characters and themes. The tradition of ancient Greek sculptures and the idea of modern art are perfectly integrated in Bourdelle’s works.

藝術家簡介 ARTIST PROFILE

安托萬•布德爾是法國著名雕塑家、畫家和教育家。他1861年生于法國蒙托邦的木工家庭,15歲獲得獎學金進入圖盧茲美術學校學習,8年后進入巴黎美術學院。然而,布德爾因其富有創造力的性格與該院墨守成規的學院教學產生沖突而退學,后經推薦進入羅丹工作室,成為羅丹的學生和助手,在羅丹工作室工作長達15年。
作為羅丹得力的助手和親密無間的摯友,布德爾的雕塑受羅丹美學思想的影響,但他最終開拓出一條獨具個人風格的藝術道路。布德爾的雕塑,內部造型結構與雄偉的建筑性和力量感和諧并存,同時帶有理性冷峻的思考,在古典寫實風格中浸潤著現代主義氣質。1929年布德爾逝世,他一生培養了大批優秀的藝術家,同時為后人留下了大量珍貴的藝術作品。

Antoine was an influential French sculptor, painter, and teacher. He was born at Montauban in 1861. His father was a cabinetmaker and sculptor in wood. He won a scholarship to learn at the art school in Toulouse. 8 year later, he entered the École des Beaux-Arts in Paris. However, he dropped out of school due to his creative personality which conflicted with the conservative college teaching. Bourdelle was later recommended to Rodin's studio as praticiens and student. He has worked for Rodin's studio for 15 years.
As a capable assistant and close friend of Rodin, his sculpture is influenced by Rodin's aesthetic thoughts. However, eventually he develops his unique artistic style of art. The internal modelling structure and the magnificent architectural power coexist harmoniously in Bourdelle’s sculptures with rational and solemn thinking, infiltrating the modernist temperament in the classical realistic style. Bourdelle died in 1929. He trained a large number of outstanding artists and left a large amount of precious works for future generations.

作品(圖片+作品名) WORKS ON SHOW (IMAGE+TITLE)

 
© Musée Bourdelle / Roger-Viollet

《美第奇的維納斯》
安托萬•布德爾(1861-1929)
約1880年
直紋紙炭筆畫

Copy from Antique Statue: Venus de’ Medici
Antoine Bourdelle (1861–1929)
Circa 1880
Charcoal on laid paper


© Stéphane Piera / Musée Bourdelle / Roger-Viollet

帕拉斯的軀干
安托萬•布德爾(1861—1929)
1903-1905年
青銅,瓦爾蘇阿尼鑄造廠

Torso of Pallas
Antoine Bourdelle (1861–1929)
1903-1905
Bronze, cast by Valsuani


© Stéphane Piera / Musée Bourdelle / Roger-Viollet

帶有正方體基座的戰神阿波羅頭像
安托萬•布德爾(1861—1929)
原始石膏模型,1909年
青銅版本由魯迪埃鑄造廠鑄造,約1930年

Apollo in Combat - Head with Square Base
Antoine Bourdelle (1861–1929)
Original model in plaster, 1909
Cast in bronze by Rudier, circa 1930


© Lyliane Degrâces-Khoshpanjeh, Musée Bourdelle, Ville de Parist

弓箭手赫拉克勒斯
安托萬•布德爾(1861—1929)
1909年
青銅,敘斯鑄造廠

Heracles the Archer
Antoine Bourdelle (1861–1929)
1909
Bronze, cast by Susse


© Stéphane Piera / Musée Bourdelle / Roger-Viollet

果實
安托萬•布德爾(1861—1929)
1902-1911年
青銅,古博坦鑄造廠

The Fruit
Antoine Bourdelle (1861–1929)
1902–1911
Bronze, cast by Coubertin


© Jacques Roseman / photo Jacques Olivier Rousseau
© Musée Bourdelle / Roger-Viollet

珀涅羅珀,原始尺寸
安托萬•布德爾(1861—1929)
1912年
青銅,敘斯鑄造廠

Penelope - Full Scale
Antoine Bourdelle (1861–1929)
1912
Bronze, cast by Susse


© Musée Bourdelle / Roger-Viollet

舞蹈
安托萬•布德爾(1861—1929)
1912年
青銅,敘斯鑄造廠

Dance
Antoine Bourdelle (1861–1929)
1912
Bronze, cast by Susse


© Lyliane Degrâces-Khoshpanjeh, Musée Bourdelle, Ville de Paris

垂死的人馬,無胡須版本
安托萬•布德爾(1861—1929)
1914年
青銅,古博坦鑄造廠

Dying Centaur, Beardless Version
Antoine Bourdelle (1861–1929)
1914
Bronze, cast by Coubertin

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